Noticeboard - Tag: Lectures

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Symposium - Painting, Drawing and the Digital

Posted 24 May 2017 in External News and Events

This symposium taking place at the University of Northampton aims to explore painting and drawing in a ‘post-digital’ age. Papers from practicing artists and organisations involved in the production, pedagogy and display of painting and drawing will explore its manifold understandings, models and contexts as they are given in relation to the digital.

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Conference - Rethinking Albert Moore

Posted 23 May 2017 in External News and Events

A study day in conjunction with the York Art Gallery exhibition, ‘Albert Moore: Of Beauty and Aesthetics’ reevaluating the painter Albert Joseph Moore, his work, and the history of York School of Design.

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Call for papers - Confraternities In Public and In Private

Posted 9 May 2017 in External News and Events

The Society for Confraternity Studies will sponsor a number of sessions at the 64th Annual Meeting of the Renaissance Society of America (22 – 24 March 2018) in New Orleans, USA. We invite proposals for papers on the following theme: Confraternities In Public and In Private.

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Conference - Aggression, Transgression and the Avant-garde

Posted 8 May 2017 in External News and Events

Registration is now open for this one-day international conference to be held at the University of Edinburgh on Tuesday, June 6th 2017.

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Conference - Michelangelo & Sebastiano: An academic conference about their art and collaboration

Posted 8 May 2017 in External News and Events

A two-day international conference at the National Gallery, London, on Michelangelo and Sebastiano del Piombo, exploring their creative relationship, their lives, times and art. Areas examined include their creative processes, with results drawn in part from technical analysis; their intellectual and theological contexts; their patrons; and their legacies, as well as the creative work that went into the exhibition.

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Conference/workshop - Printed Stone: Sculpture and its Images

Posted 2 May 2017 in External News and Events

This free interdisciplinary workshop, taking place at the Institute of Advanced Studies, University College London, will explore the relationship between sculpture and its printed images, whether produced for reasons of commerce or conservation, public edification or private gain. 

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Call for papers - Drawing Conversations 2: Body, Space, Place

Posted 27 April 2017 in External News and Events

Papers are invited for this one-day symposium (taking place at the Institute for Creative Enterprise, Coventry), intended to consider interrelationships of drawing, body, space and place. At the heart of this will be the body acting as the conduit between interior and exterior, private and public. Twenty-minute papers are invited from practitioners, historians and theoreticians. They can include projects undertaken, or be about particular works or ideas by others.


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Lecture - North and South of the Loire: The Culture of Copying and the Rebirth of Sculpture

Posted 30 March 2017 in External News and Events

The Annual lecture of the Corpus of Romanesque Sculpture in Britain and Ireland (CRSBI), Tuesday 25th April 2017 at 5.30pm at the Courtauld Institute of Art, London.

North and South of the Loire: The Culture of Copying and the Rebirth of Sculpture by Professor Deborah Kahn

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Conference - Modern Living in Asia 1945-1990

Posted 29 March 2017 in External News and Events

This conference will develop the study of modern living in Asia between 1945-1990 from transnational perspectives. It will explore cultural flows beyond borders (national, regional and political) that informed notions of modern living, architecture, interior design and public spaces. The keynote speakers are Prof Gyan Prakash and Prof Duanfang Lu.

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Study day - Liu Dan: New Landscapes and Old Masters

Posted 6 February 2017 in External News and Events

The Study Day explores Chinese contemporary ink painting and in particular the paintings of the artist Liu Dan which are on display in the Ashmolean Museum until the 26 February. Topics covered include the materials Liu Dan uses and the signification of his calligraphic inscriptions.

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