This conference, taking place at the University of Cambridge, brings together scholars from architecture, art and architectural history, Classics, history, and Italian studies to examine intersections of architecture and motion in Europe and the New World, 1350-1800.See more details >
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The White Rose College of the Arts & Humanities (WRoCAH) invite contributions from post-graduates, early career researchers and established scholars from all disciplinary backgrounds for upcoming conference 'Re-evaluating the Religious: Recent approaches to Monastic Archaeology in later Medieval Britain and Ireland'.See more details >
Coinciding with the major exhibition, Air: Visualising the Invisible in British Art at the Royal West of England Academy (RWA) and in partnership with Oxford Brookes University, the RWA presents an interdisciplinary one-day symposium.See more details >
This 3-day workshop/conference is part of the 2017 Gulf Research Meeting (GRM) at the University of Cambridge, UK, 1-4 August.See more details >
Speak, body: Art, the Reproduction of Capital and the Reproduction of Life, will address the juncture of the “body” in art in relation to feminism(s) and capitalism, through the period 1960–1980.
See more details >
The American Philosophical Society and Philadelphia Museum of Art invite submissions for a 2017 symposium on the role of art and artists in the Age of Revolutions(1760s-1840s).See more details >
The Maastricht Centre for Arts and Culture, Conservation and Heritage (MACCH) is pleased to announce the upcoming conference: Participatory Practices in Arts and Heritage. On 17-18 March 2017, MACCH invites presentations on arts and heritage with a specific focus on emerging developments in the field of ‘public participation’.See more details >
In the 2017 conference and third edition of the Journal, in a global context of “post-truth”, and aligned with the objectives of HERITAS/ CIDEHUS - UNESCO Chair on Intangible Heritage, two specific sub topics are proposed: Intangible heritage and knowledge transfer.See more details >
The Courtauld Institute of Art has historically been a centre for both academic research and scholarly exhibitions on Impressionism. ‘Writing Impressionism Into and Out of Art History, 1874 to Today’ seeks to scrutinize Impressionism’s past historiography and trace its possible future in transnational art histories, with particular attention to new directions, approaches, and questions through which to interrogate Impressionism.See more details >
Atlantic World Arts: Collision, Fusion, Re-Vision - An International, Interdisciplinary Conference Sponsored by the Atlantic World Research Network and The National Folk Festival http://www.uncg.edu/eng/awrn/ 7-9 September 2017See more details >