Call for Papers - 'Art and Death'
Three workshops: 1st November 2012, 21 February and 23 March 2013
The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN
Noticeboard - Tag: Call for papers
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Call for Papers - ' The Art Press in the Twentieth Century'
A one-day conference on the mediation of art history, criticism and the art market in magazines and journals organised by The Burlington Magazine and Sotheby's Institute of Art on 1st February 2013
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Call for Papers - 'Bacon’s Books - Francis Bacon’s Library and its Role in his Art'
Friday 19th and Saturday 20th October 2012
Department of the History of Art, Trinity College Dublin and Dublin City Gallery, the Hugh Lane
Call for Papers - Processes, Outcomes, Pathways and Products (POPP): Scottish Practice-as-Research Symposium
Glasgow, 20-21, November 12
See more details >Call for Papers - 'Death: the Cultural Meaning of the End of Life'
LUCAS Graduate Conference 2013
Leiden University Centre for the Arts in Society
24–25 January, 2013
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Call for Papers - 'Charming Intentions: Occultism, Magic and the History of Art'
Graduate Conference,
Department of History of Art, University of Cambridge
3-4 December 2012
Call for Papers - "“Research Issues in Art History from the Late Middle Ages to the present.”
The Association of Greek Art Historians (AGAH) Annual Conference
See more details >Call for Papers - ' Politeness and Prurience: situating transgressive sexualities in the long eighteenth century'
A major international and multidisciplinary conference hosted by the History of Art Department at the University of Edinburgh
September 2-3 2013
Call for Papers - Fourth Early Modern Symposium: Art and Its Afterlives
A conference to take place on Saturday 17 November 2012 at The Courtauld Institute of Art.
See more details >Call for Papers & Artists' Proposals - “Red Art” – Leonardo Electronic Almanac
“Red Art” – Leonardo Electronic Almanac
The MIT Press; Leonardo/ISAST; Goldsmiths, University of London; FACT; and Sabanci University.
LEA Special Issue: “From New Media to Old Utopias: ‘Red’ Art in Data Capitalism?”
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