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Call for Papers: CAA Session 'Seeing through the medium'

Posted on Wednesday, 7th April 2010

College Art Association Annual Conference, New York City, February 9-12 2011
Historians of British Art-sponsored shorter session
'Seeing through the medium'

 

Co-Chairs: Imogen Hart, Postdoctoral Research Associate, Yale Center for British Art; and Catherine Roach, Postdoctoral Associate, Department of the History of Art, Cornell University.

A central but challenging question for art history is the relationship between objects and their audiences. This issue, like most of the questions faced by the discipline, is usually addressed in terms of individual media. Yet how might the study of the historical interpretation of objects complicate current academic divisions by media? Recent scholarship testifies to the breadth of British artistic production, yet histories that focus on different media do not always speak to one another, with the result that an integrated picture of the arts of a period often proves elusive. While a specialist understanding of specific media may be essential to a thorough study of the process and experience of making, a broader, more inclusive approach may be more appropriate to a study of the ways in which contemporaries engaged with objects. Recent scholarly interventions such as the Henry Moore Institute and J. Paul Getty Museum’s exhibition and catalogue Taking Shape: Finding Sculpture in the Decorative Arts and Caroline Arscott’s book William Morris and Edward Burne-Jones: Interlacings offer models of how art historians might engage in cross-media analysis. This panel seeks papers focusing on British art of any period, including colonial contexts, that address the question of reception and cut across current scholarly divisions, especially between the “fine” and “decorative” arts.

Please submit abstracts of no more than 300 words, together with a C.V., by June 1 2010.
E-mail to imogen.hart@yale.edu and cr342@cornell.edu.