Academic Sessions: Glasgow 2010
AAH Annual Conference 2010
15 - 17 April, University of Glasgow
Poster Session
Session Convenors:
Veronica Davies, The Open University, Veronicadavies4@aol.com
Janet Stiles Tyson, Independent Art Historian, jtyson@earthlink.net
Far from displays of simple declarations on single sheets of paper, Poster Sessions encompass a wide range of visually rich, generally non-linear explorations of research topics—often in a variety of media. They also tend not to focus on any particular theme, but to address a variety of topics. This year’s poster session, the second within an AAH conference programme, reflects this typical diversity of interest and practical approaches, with presentations by art historians and artists, professionals and students.
Contributors:
Anne Dulau Beveridge (Hunterian Art Gallery, University of Glasgow)
William Hunter’s Volumes of Prints
Peter Black (Hunterian Art Gallery, University of Glasgow)
Rembrandt’s Sketch for ‘The Entombment’
Anitra Blayton (Tarrant County College, Fort Worth, Texas)
Nightstands
Sophie Bostock (Independent, London)
Domenico Tiepolo’s ‘Divertimento per li Regazzi’: A Case Study Demonstrating the Importance of Drawing in Late-Life Creativity
Amy Bryzgel (University of Aberdeen)
Afrika, the Russian Dog and Marilyn Monroe: Cultivating Identity in Post-Soviet Russia
Lawrence Buttigieg (Loughborough University)
Representing the Female Nude: Self-Reflexivity and Otherness
Veronica Davies (The Open University/University of East London)
Exhibitions and the Visual Language for Ideas of Rebuilding/Renovation Post-World War II
Mark Hobbs (University of Glasgow)
The Politics of Architecture: Weimar Berlin’s ‘Neues Bauen’ Programme
Katerina Karavida (City University, London)
The Issue of the Representation of the ‘Margins’ in Contemporary Art Exhibitions: The Case of the Thessaloniki Biennial
Margaret MacDonald (University of Glasgow)
Catalogue Raisonné: Etchings of James McNeill Whistler
Maria Portmann (Universite de Misericorde, Fribourg)
Juan de Arfe y Villafane’s ‘Libro Segundo’
Pamela Robertson (Hunterian Art Gallery, University of Glasgow)
Mackintosh Architecture: Context, Making and Meaning
Janet Stiles Tyson (Independent, Fort Worth, Texas)
‘Modern’ Motifs in Afghan War Rugs: Evolution or Revolution?