Academic Sessions 2007
- History and Class Consciousness and Art History
- Globalisation and Art since 1945: Disciplinary Renewal or Transformation?
- Irish Studies and History of Art: Impossible Dialogues?
- Museums and the Construction of Art Histories
- ‘1968’: Activitist Art and its Legacies
- Photography between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art
- Common Identities? From Post-Identity Discourse to Concepts of Community and Participation in Contemporary Art
- Toward a New Age of Asian Art
- Painting Workshops of the (17th century) World: Grounds for Contestation
- Contesting Forms, Testing Functions: Dynamic Encounters between Sculpture, Decoration and Design
- The Visual Politics of Psychoanalysis in a Post-Traumatic World
- Questioning Authority: Commercialism and the Academic Ideal in 18th-Century European Art
- ‘We Capture the Walls’: The Politics of 20th-Century Muralism
- Makers and Making Between Trauma and Cultural Memory
- Contested Histories in German Visual Culture 1871-1990
- Immaterial Culture? Things, Artefacts and Meanings
- Contesting Childhood
- Taking to the Streets: Art and the Architecture of Security Control
- Representing the Monster City: Art History and Pathologies of Urban Development 1800-2007
- Contested Evidence – Student Session
- Contesting the Body: Art, Sexualities and Biogenetics
- Beyond Recognition: The Outer Limits of Artistic Creation and Critical Reception after September 11th, 2001