Contents

Academic Sessions 2006

Academic Sessions: Leeds 2006

  1. A Tremendous Shattering of Tradition: Reconsidering Walter Benjamin‘s The Work of Art in the Age of Mechanical Reproduction
  2. Whither Feminist Art History?
  3. Frames of Reference: The Everyday Photograph as Recorded Image
  4. Art, Architecture and their Discontents: Adisciplinarity?
  5. Other than the Visual
  6. Seeking the Contemporary Art Historian
  7. Representation and Ruination
  8. Morbid Symptoms: Art and Art History after 9/11 and the War on Terror
  9. Institutional Critique as Institution
  10. Writing Histories of Contemporary Art
  11. The Aesthetics of Art History: Continental Philosophy and the Problem of Art
  12. Art History and the Aesthetic
  13. Global and Local Mediations
  14. Histories of Surrealism
  15. Art and Psychoanalysis: Theorizing the Spaces of Practice
  16. A Challenge to Ocularcentrism: Contemporary Art and the Art Gallery
  17. Kulturwissenschaft in Contemporary Studies of Culture and Image
  18. Taking Back Art History (But With a View to What?) – A Roundtable Discussion
  19. Art History and the Art School – the Sensibilities of Labour
  20. Art History and Others
  21. Exchanges at the Interface between Art History and Philosophy
  22. Does Art History Have a Future?
  23. An Over–Sexed History of Art? Art History at the Intersection of Gender and Sexuality
  24. History of Art beyond its National Boundaries
  25. Disciplinary Ethics
  26. The Artist Interview: Contents and Contentions in Oral History/Art History
  27. Critical Distance: Epiphany and the Sense of Place
  28. Student Session: Who Do We Think We Are?