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This page lists conferences, calls for papers, exhibition announcements and other items of interest. For jobs, fellowships and funding opportunities, see our Jobs &  Opportunities page. We also reccommend subscribing to H-ArtHist, a high-traffic mailing list featuring conference announcements, job postings etc.

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Workshop - ECR Training Day: Using Historical Matrices & Printing Surfaces in Research

Posted 18 May 2017 in External News and Events

This hands-on, object-based training day will introduce 10 participants to the research of historical matrices/printing surfaces (e.g. cut woodblocks, etched metal plates, litho stones), emphasising pre-1830.

Free. Includes lunch, wine reception, and travel. Participants must be PhD students or have held a PhD for under 10 years (taken in/after 2007).

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Symposium - Reframing the Archive: The Reuse of Film and Photographic Images in Postcolonial Southeast Asia

Posted 15 May 2017 in External News and Events

Registration is open for this 1-day symposium with international speakers to be held at SOAS University on the 23rd June 2017. Accompanied by two film screenings and Q&A with director Davy Chou.

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Call for papers - 2018 Southern Studies Conference

Posted 15 May 2017 in External News and Events

Now in its tenth year, the Auburn University at Montgomery (AUM) Southern Studies Conference invites proposals for pre-formed panels or individual papers on any topic pertaining to the history and culture of the American South from any time period, including presentations on art practice, American history, the history of science and medicine, the history of art, anthropology, history of music, foodways studies, theatre, literature, and sociology.

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Conference - Art History in Settler States. Cultural Studies of the Colonies

Posted 10 May 2017 in External News and Events

Art History in Settler States will focus on developing new tools to respond to the various dynamics of settler-colonial societies that were part of the British Empire. Keynote speakers from five countries – Canada, Australia, New Zealand, The Unites States and South Africa will guide this analysis.

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Call for papers - Positioning Nigerian Modernism - EXTENDED DEADLINE

Posted 10 May 2017 in External News and Events

Tate Modern invites proposals for 15-minute presentations from academics, research students, curators, artists and other professionals in relevant fields that aim to consider afresh the origins and socio-political underpinnings of modernism in Nigeria and West Africa more broadly and the legacy of its key proponents.

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Symposium - Visualising Learning in France, c.1500-1830

Posted 9 May 2017 in External News and Events

Registration is open for this 2-day symposium with international speakers to be held at the University of St Andrews on 24 and 25 May 2017.

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Call for papers - Confraternities In Public and In Private

Posted 9 May 2017 in External News and Events

The Society for Confraternity Studies will sponsor a number of sessions at the 64th Annual Meeting of the Renaissance Society of America (22 – 24 March 2018) in New Orleans, USA. We invite proposals for papers on the following theme: Confraternities In Public and In Private.

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Workshop - Risk Management in Collections Care two-day Workshop

Posted 8 May 2017 in External News and Events

University of Cambridge Museums (UCM) are offering a two-day workshop in Risk Management in Collections Care. This two-day workshop will explore the risk-based approach to collections care and the application of risk management methodology in practice.

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Conference - Aggression, Transgression and the Avant-garde

Posted 8 May 2017 in External News and Events

Registration is now open for this one-day international conference to be held at the University of Edinburgh on Tuesday, June 6th 2017.

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Call for papers - Digital Art History: Practice and Potential

Posted 8 May 2017 in External News and Events

This conference is for ECRs engaged in digital art history to showcase their work, develop skills, and think broadly about how digitization can innovate, challenge convention, and inform art-historical practice.

We intend to move beyond defining digital art history, considering instead how digital technology integrates with and enhances art-historical methodologies and theories in today’s digital world.

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