Academic Sessions: Oxford Brookes University 2001

1. Dislocated Modernities
2. Mental Illness, Psychiatry and the Visual Arts
3. Art, Science and Visual Studies
4. Visual Connections: the Object and its Images
5. Intimate Connections
6. Millennium Displays: Making Art Histories in Museums
7. Connections Between Art History and Conservation in Museums
8. Making Renaissance Connections: Centres, Peripheries and Cultural Exchange, ca. 1350-1500
9. Foreign Imports: Borrowing Styles for Ideological Purposes
10. Framing the Fetish
11. Theorizing Appropriation
12. Writing Histories with Classical Art
13. Connecting Medieval Media
14. The Awkward Works: Aberrance and Inconsistency in Modern and Contemporary Art
15. Altered Zones: from Festival to Docklands
16. Through a Glass Darkly: Transparency in Twentieth-Century Art and Architecture
17. Arrivals and Departures
18. Geographies of Art: Exploring Landscapes, Crossing Borders
19. Rivers of Meaning
20. Re-connecting Public and Private: Art, Gender and the European City, c.1880-1930
21. Russia and the "West": Connections and Disconnections from Peter to the Present
22. Visual Image/Verbal Language: Word and Image in Nineteenth-Century Art and Aesthetics
23. East Asian Art and British Culture
24. Still/Moving Pictures: Art History and Cinema