Academic Session 23: Loughborough 2017
43rd Annual Conference and Art Book Fair
6th – 8th April 2017
Prints in Books: The materiality, art history and collection of illustrations
This session is sponsored by Print Quarterly
Elizabeth Savage, Institute of English Studies, firstname.lastname@example.org
Book illustrations, especially from the hand-press period (1450-1830), are an essential but traditionally overlooked source of art historical information. Although the hierarchies of fine art over popular art are dissolving and modern disciplinary distinctions between text and image (or art and book) are giving way to cross-disciplinary and holistic approaches to printed material, printed images that happen to be inside books often fall outside the remits of art historical, literary, bibliographical and material research.
One reason is that practical and academic barriers impede access to the art historical information that book illustrations can provide. Due to incompatible cataloguing standards adopted by libraries and art museums, researchers can struggle to identify book illustrations across collections. Cataloguing protocols may reduce hundreds of significant woodcuts in a book to the single word ‘illustrated’; some world-leading graphic art digitisation initiatives exclude book illustrations. As the global digitised corpus expands, will book illustrations be more represented in print scholarship or will they continue to fall into the gap between art and book? As material objects and visual resources, should they be considered bibliographical, art historical or iconographical material? And how do such classifications influence their interpretation?
This interdisciplinary panel seeks to establish a platform for discussion about the historical and current position of printed book illustrations in graphic art scholarship. Theoretical and object-based papers related to the collecting, cataloguing and interpretation of printed book illustrations are welcome, as are papers that explore the materiality, iconography, historiography or art history of pictures printed inside books.
Click here to download a .pdf of this session's paper abstracts
Matilde Malaspina (Oxford University) Visual Recognition, Image-matching and Digital Annotation: Early-printed book illustrations and the 15cBOOKTRADE Project
Diana Bowers-Smith (Brooklyn Public Library) ‘The Physical Text is History’: The Visual Lineage of Werner Rolewinck’s Fasciculus temporum
Ilaria Andreoli (CNRS (ITEM, Paris)-Fondazione Giorgio Cini) and Ilenia Maschietto (Fondazione Giorgio Cini) Prince d’Essling’s Livres à figures vénitiens: Indexing the collection, indexing the copies
Berthold Kress (Warburg Institute) ‘Arise, kill and eat’ – Reformation Polemic in 16th-century Bible illustration
Joanna Karlgaard (Baltimore Museum of Art) Cataloguing Illustrations from Jerónimo Nadal’s Adnotationes et meditations in Evangelica at the Baltimore Museum of Art
Magdalena Herman (University of Warsaw) Reframed Images: Officina Plantiniana and Cracovian publishing house of Andrzej Piotrkowczyk
Anne-Katrin Sors (University of Göttingen) Jan David’s Devotional Books and Theodor Galle’s Illustrations
Ad Stijnman (Private Researcher) Colours of Anatomy: Printed colour in early modern medical illustrations
Peter S. Forsaith (Oxford Brookes University) Portrait Prints in the Arminian/Methodist Magazine: 1778-c.1850
Ann Gunn (University of St Andrews) Andrew Bell and Illustrations for the Encyclopaedia Britannica 1771-1797
Lucy Peltz (National Portrait Gallery, London) Granger, Grangerizing and Grangeritis: Extra-illustration in C19th and C20th Britain and America
Anna McGee (Cambridge University) Agnes Miller Parker's Wood Engravings: Bringing the word to life