Academic Sessions
AAH Annual Conference 2010
15 - 17 April, University of Glasgow
- Atrocity Exhibitions: RE/Reading RE/Search (Saturday 17 April)
- Images of Corporal Mortification and Corruption, Martyrdom and Mercy: 1250-1550 (Friday 16 & Saturday 17 April)
- Reassessing National Romanticism (Friday 16 April)
- The Rules of Collective Art: Social Engagement and Collaboration in Contemporary Art (Friday 16 April)
- Objects, Art History and Display Museums and Exhibitions Members Group Session (Friday 16 April)
- Heidegger and the Work of Art History (Friday 16 & Saturday 17 April)
- Exhibitions as Research: Theory, Practice, Problems (Saturday 17 April)
- Mapping the practice and profession of sculpture: The influence of context and collaboration in sculptural practice from the eighteenth century to the present. (Friday 16 April)
- Art in the Public Sphere, Public Spheres In Art: Middle Ages and Renaissance (Friday 16 April)
- The Artist at Work in Early Modern Italy (c. 1450-1700): Methods, Materials, Models, Mimesis (Friday 16 & Saturday 17 April)
- Visual Culture of the Medieval Middle East: Islamic Art History Now? (Friday 16 April)
- The Discursive Space of Artists' Films (Friday 16 April)
- Materiality and Waste: Poetics of the Concrete in Modern Life (Saturday 17 April)
- Art, Philosophy and Revolution in mid Twentieth Century European Art (Saturday 17 April)
- Poster Session (Friday 16 & Saturday 17 April)
- Rethinking Celtic Revivals (Friday 16 April)
- Supplementary Conflicts: Domesticities and Life Histories in Wartime (Friday 16 April)
- Medieval Art/Postcolonial Questions (AHRC Research Network Postcolonising the Medieval Image) (Saturday 17 April)
- The modernist turn: Counter/Other/Alter/Meta Modernisms in art history and practice (Friday 16 & Saturday 17 April)
- Many hands make light work: the division, status and valuation of artistic labour in 16th and 17th-century Northern European Art (Friday 16 April)
- The Relic and the City (Friday 16 April)
- Dada and Surrealism in Play (Friday 16 & Saturday 17 April)
- China and the West: The Reception of Chinese Art across Cultures from the 16th to the 20th Century (Saturday 17 April)
- Picturing the Sensorium in Art from Antiquity to 1800 (Saturday 17 April)
- Reading to Attention (Friday 16 April)
- Digital Continuities: From the history of digital art to contemporary transmedial practices (Friday 16 April)
- Insular Preconceptions? The Arts of Iberia and Latin America and their Reception in Britain (Friday 16 & Saturday 17 April)
- Untitled': what's in a name? (Saturday 17 April)
- Imperial Tensions: visual cultures of coercion, silence and display (Friday 16 April)
- New Perspectives on the Art of the Middle East: From Ancient History to the Contemporary (Friday 16 & Saturday 17 April)
- Anxious Dwelling / Postwar Spaces (Friday 16 & Saturday 17 April)
- Hogarth and the vernacular renaissance in eighteenth-century Britain (Friday 16 April)
- Intervisuality in Medieval Art (Friday 16 April)
Click on the following link to download a provisional Session Timetable (pdf),