Academic Sessions 2005
Academic Sessions: Bristol 2005
- Revolution and the Reception and Conception of Visual Culture in France 1789–1871
- The Forgotten Surrealists: Belgian Surrealism 1924–1981
- Sentimentality
- Engaging Encounter
- Student Session
- Corpus Delecti: Aesthetics, Eugenics and the Sexed Body
- Dialogues, Discourses and Difference
- Agency and Mediation: Women‘s Contribution to Visual Culture between the Wars, 1918–1939
- Boredom and Banality
- ‘Foul Biting’ and other ‘Accidents’ of Facture in Late 19th–Century Art: Surface, Subjectivity, and the Marks of Modernity
- Kitsch in Formation and On Parade: Conception, Display and Audience
- Painting and Planting. Art – Garden – Landscape
- Narrative in Nineteenth–Century Art
- Art History and the Uses of Reception
- Reconsidering the Artist–Model Transaction
- Renaissance Material Culture – Conceptions and Receptions
- Function, and its Relation to the Conception and Reception of Portraiture in the 18th Century
- ‘Lives’ of the Renaissance Artists: Biography and Reception
- Conceptions and Receptions of Medieval Art and Architecture
- 21st Century Art History: Global Reception